In March 2015, Jones upped the impact of his work even further. Joining forces with a group of Russian monks living in Thailand (who, improbably, happened to be tech whizzes), he moved from projecting his art onto flat 2-D surfaces into fully immersive 3D experiences. The coder-monks crafted Jones’s original media files into a string of modular scenes. When stitched together and projected onto the smooth 360-degree canvas of an enclosed geodesic dome, the screen seems to extend far beyond the physical space. Rather than looking up at the curved vault of the Sistine Chapel to view a singular
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