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I think, though, that a natural reaction to black people being murdered on camera is the notion that living black joy becomes a commodity—something that everyone feels like they should be able to consume as a type of relief point. I may not come down on the same side of that as everyone who listens to Chance, but I think what Chance does is what the best artists of color manage to do in this setting: makes music facing his people while also leaving the door open for everyone else to try and work their way in.
They Can't Kill Us Until They Kill Us
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