Of the nine million Harlequin Romance and Silhouette Ecstasy books for women today, sold and read by the ton, no hero appears whose primary quality isn’t arrogance. If any man appears at first helpful, cheerful, and polite, he’s the villain. The man who at first appears hopelessly mean and insensitive, he’s the hero. It’s cornography. Margaret Mitchell’s inspiration for Rhett Butler was Valentino in that tango. It’s a twentieth-century malaise. In pornography women are all sluts; in cornography, which women read to get hot the same way, men are all scornful monsters who, three pages before the
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