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People nowadays get upset at the idea of being in love with a city, especially Los Angeles. People think you should be in love with other people or your work or justice. I’ve been in love with people and ideas in several cities and learned that the lovers I’ve loved and the ideas I’ve embraced depended on where I was, how cold it was, and what I had to do to be able to stand it.
In the balm of those sunshine days, in a land where winter never raises ugly questions about survival and canning vegetables, fun was all the truth we needed.
That strange mixture that’s always been a major part of Hollywood—self-enchantment mingled with the ever-present fear of total disaster (earthquakes, fires, random murders)—lies beneath the physical reality of Hollywood, which sometimes looks too good to be true, as though we must have sold our souls to the devil for all those swimming pools and orange trees and young hopefuls basking in the sun.
But the trouble with life is, just when you think you’re having a happy ending, things are changing, because there are no endings except death.