George Donnelly

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Even in movies where the killer is not an obvious sociopath, the common formula is to validate violent acts of vengeance by beginning the movie with a vivid depiction of the villain performing horrible acts on some innocents. These victims are usually related in some way to the hero, thereby justifying the hero’s subsequent (and vividly depicted) vigilante acts.
On Killing: The Psychological Cost of Learning to Kill in War and Society
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