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It will end, Childan thought. Someday. The very idea of place. Not governed and governing, but people.
Perhaps if you know you are insane then you are not insane. Or you are becoming sane, finally. Waking up. I suppose only a few are aware of all this. Isolated persons here and there. But the broad masses . . . what do they think? All these hundreds of thousands in this city, here. Do they imagine that they live in a sane world? Or do they guess, glimpse, the truth . . . ?
wonder if he—whatever his name is—depicts a war between Russia and the U.S.A.? Interesting book, he thought. Odd nobody thought of writing it before.
Cleveland,
They can obtain from mold-produced identical objects a joy which would be denied to us.
Something in his tone made Robert Childan take sudden note. A nebulous and peculiar emphasis, there. And then it swept over Childan. Without a doubt he had split the ambiguity—he saw.
Life is short, he thought. Art, or something not life, is long, stretching out endless, like concrete worm. Flat, white, unsmoothed by any passage over or across it. Here I stand. But no longer. Taking the small box, he put the Edfrank jewelry piece away in his coat pocket.
As befits work of art. Yes, that is artist’s job: takes mineral rock from dark silent earth transforms it into shining light-reflecting form from sky.
We really do see astigmatically, in fundamental sense: our space and our time creations of our own psyche, and when these momentarily falter—like acute disturbance of middle ear.
New life, he thought. Like being reborn. Like, hell. Is. Who do I thank? Pray, maybe? Pray to what?
We do not have the ideal world, such as we would like, where morality is easy because cognition is easy. Where one can do right with no effort because he can detect the obvious.