Once in a while a small piece of knowledge from the world outside science would float Feynman’s way and stick like a bur from a chestnut. One of the graduate students had developed a passion for the poetry of Edith Sitwell, then considered modern and eccentric because of her flamboyant diction and cacophonous, jazzy rhythms. He read some poems aloud, and suddenly Feynman seemed to catch on; he took the book and started reciting gleefully. “Rhythm is one of the principal translators between dream and reality,” the poet said of her own work. “Rhythm might be described as, to the world of sound,
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