Susan

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just sets up, between him and the next level of piano playing—the next level of his interior life—a kind of invisible barrier. He makes a limit where there is no actual limit. This is not bad. He is not an evil man. Just the opposite, he is a good man, but he builds this limit the way you would build walls around a room, and then he lives there, within that room, not completely satisfied but not knowing what he can do about his dissatisfaction. He grows old. He waits for the end of his life, for God to pass judgment on him, and chases as many decent pleasures as he can while he waits. This is
Breakfast with Buddha
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