Eliot Peper

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Great lobbyists are like novelists, they use lies to tell a deeper truth.
Eliot Peper
Although the idea for Bandwidth had been gestating for a while, I had a number of false starts. Who among the cast would be the protagonist? Was this a contemporary tale, or would it take place decades hence? What might that future look like? At one point, I thought that the hero might be a stand-up comedian. I am so glad I didn’t go down that route. I’m not nearly funny enough to do justice to a comedian’s inner life. But the jump from comedian to lobbyist was shorter than you might think. Both professions require a finely tuned sense of observation and an intuition for the invisible systems that shape our world and lives. As a novelist, I'm keenly aware of the parallels with writing fiction. It was from that milieu that Dag began to emerge. A striver with a keen eye for the dynamics and incentives that guide and warp society. A survivor who was willing to do what it took to win. A seeker who couldn’t deny his own failings once he finally achieved true introspection. Characters rarely stride onto the page fully formed, like a stage actor entering from the wings. Instead, they start as a blurred sketch, and only become more solid, more real, as the story progresses. Like all of us, they define themselves through their actions, and I always know that a character is becoming a human being when they start doing things that surprise me. By the end of the rough draft, Dag and the rest of the cast had become dear friends.
Bandwidth (Analog #1)
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