Nostalgia had been turned back into a pathology. In 1915 the director D. W. Griffith released a motion picture that was more cinematically ambitious, sophisticated, and compelling than any so far—the movie of the year, of the decade, hugely profitable. It was The Birth of a Nation, a shameless three-hour-long piece of propaganda for the mythical Old South and its Ku Klux Klan redeemers. It was the first movie to be shown at the White House, and it played in New York City for almost a year. And then life proceeded to imitate art. During the next decade, the popularity of the revived Klan
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