How can I compare a race like this to music? Or how can I not? Will some perfectionist snug in the arms of his chair under the marble eyes of Beethoven shudder at the thought? I suppose so, but if there’s a fledgling juggler of notes and cadences, less loyal to the stolid past, who seeks a new theme for at least a rhapsody, he may buy a ticket at any gate and see how they run. He will do what I cannot. He will transpose and change and re-create the sound of hooves that pelt like rain, or come like a rolling storm, or taper like the rataplan of fading tympani. He will find instruments to fit
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