Christopher John

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Andrew imagines everyone in the cabin is visualizing the same blow-by-blow transgression of violence to come, an act of collective foretelling, or summoning. The room feels like it did in the moments before the others killed O’Bannon. Andrew experiences an animal foreboding and an instinctual compulsion to flee from the inevitability, as well as an unsettling, vertiginous itch to become a willing participant. If the others swing their weapons again, even if only against Adriane, he will raise his hands and fight.
The Cabin at the End of the World
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