Christopher John

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Sabrina’s voice billows into the cabin from below. “Hey, it’s me, Sabrina. I’m coming up the basement stairs, now, okay? I’m not going to hurt anyone, so please don’t hurt me.” No one answers her. Her footfalls echo on the wooden stairs, a slow, uneven dirge that changes in pitch and tone the closer she gets to the main cabin floor. She has her curled shovel blade–tipped weapon with her, but she does not hold it threateningly. She carries it more like a scarlet letter, a final judgment she cannot escape.
The Cabin at the End of the World
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