Christopher John

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The sun breaks through the clouds, a promise that will one day be broken, and shines into the cabin via the deck, illuminating this reluctant summit. The players are momentarily as still as stone obelisks and their ancient shadows. Although Redmond’s face is concealed within the blank, white mask, Andrew feels the man’s stare, and like all stares, it accrues mass with passing time. Then, finally, there are two words. “Thank you.”
The Cabin at the End of the World
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