Christopher John

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We can’t go on. We stare at the television. The hole in the screen is a porthole in a sunken boat. It’s an open mouth ringed in rows of small, asymmetrical, jagged teeth and it once spoke of unimaginable places and things. It’s a wound, one from which the blackest ichor will begin flowing. It’s a telescopic view of the universe before stars, or after.
The Cabin at the End of the World
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