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Paul Slazinger says, incidentally, that the human condition can be summed up in just one word, and this is the word: Embarrassment.
But then, as though he were in a trance, and using the simplest hand-tools, he began to make perfectly beautiful cowboy boots, which he sold from door to door. They weren’t only tough and comfortable: they were dazzling jewelry for manly feet and calves, scintillating with gold and silver stars and eagles and flowers and bucking broncos cut from flattened tin cans and bottle caps. But this new development in his life wasn’t as nice for me to see as you might think. It gave me the creeps, actually, because I would look into his eyes, and there wasn’t anybody home anymore.
But let’s forget me for the moment, and focus on the works of Gregory. They were truthful about material things, but they lied about time.
But he lacked the guts or the wisdom, or maybe just the talent, to indicate somehow that time was liquid, that one moment was no more important than any other, and that all moments quickly run away.
There was one thing I learned during my eight years as a professional soldier which proved to be very useful in civilian life: how to fall asleep almost anywhere, no matter how bad the news may be.
For reasons best known to herself, the widow Berman wants to go on living and writing here rather than return to Baltimore. For reasons all too clear to myself, I am afraid, I want someone as vivid as she is to keep me alive.
“‘Contentedly adrift in the cosmos,’ were you?” Kitchen said to me. “That is a perfect description of a non-epiphany, that rarest of moments, when God Almighty lets go of the scruff of your neck and lets you be human for a little while.
His stuff was unambitious but strong: as representational as he could make it, much like what his fellow war heroes Winston Churchill and Dwight David Eisenhower used to do. Like them, he enjoyed paint. Like them, he appreciated reality. That was the late painter Isadore Finkelstein.