Zachary Scott

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Enright soon discovered he had seriously underestimated the sheer power of the show. In his own mind he had done nothing that violated the moral code of the world of entertainment as he knew it. But the show had transcended mere entertainment: It had become the property of an entire nation. Enright had crossed over, without knowing it, into another sphere, with another set of ethics and standards. He was playing with this new instrument of television without knowing its true power.
The Fifties
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