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“I am alone and they are everyone,”
The characteristics of our romantic are to understand everything, to see everything and to see it often incomparably more clearly than our most realistic minds see it; to refuse to accept anyone or anything, but at the same time not to despise anything; to give way, to yield, from policy; never to lose sight of a useful practical object (such as rent-free quarters at the government expense, pensions, decorations), to keep their eye on that object through all the enthusiasms and volumes of lyrical poems, and at the same time to preserve “the sublime and the beautiful” inviolate within them to
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I tried to stifle all that was continually seething within me by means of external impressions. And the only external means I had was reading.
For of the point of honor—not of honor, but of the point of honor (point d’honneur)—one cannot speak among us except in literary language.
“He could have shielded me with his higher rank, while I could have improved his mind with my culture, and, well . . . my ideas, and all sorts of things might have happened.”
“Why must you invariably be the first to move aside?” I kept asking myself in hysterical rage, waking up sometimes at three o’clock in the morning. “Why is it you and not he? There’s no regulation about it; there’s no written law. Let the making way be equal as it usually is when refined people meet; he moves half-way and you move half-way; you pass with mutual respect.” But that never happened, and I always moved aside, while he did not even notice my making way for him.
But I had a means of escape that reconciled everything—that was to find refuge in “the sublime and the beautiful,” in dreams, of course.
Anything but the foremost place I could not conceive for myself, and for that very reason I quite contentedly occupied the lowest in reality.
That was my ruin, for when I was in the mud I comforted myself with the thought that at other times I was a hero, and the hero was a cloak for the mud: for an ordinary man it was shameful to defile himself, but a hero was too lofty to be utterly defiled, and so he might defile himself.
I, for instance, was triumphant over everyone; everyone, of course, was in dust and ashes, and was forced spontaneously to recognize my superiority, and I forgave them all.
I believe I had transferred into the department I was in simply to avoid their company and to cut off all connection with my hateful childhood.
“How twenty-one roubles?” I asked in some agitation, with a show of being offended; “if you count me it will not be twenty-one, but twenty-eight roubles.”
In the end I could not put up with it: with years a craving for society, for friends, developed in me.
With despair I pictured to myself how coldly and disdainfully that “scoundrel” Zverkov would meet me; with what dull-witted, invincible contempt the blockhead Trudolyubov would look at me; with what impudent rudeness the insect Ferfitchkin would snigger at me in order to curry favor with Zverkov; how completely Simonov would take it all in, and how he would despise me for the abjectness of my vanity and lack of spirit—and,