It had probably been lovely before the attack: a massive window faced southward, letting in endless sunshine, and skylights—also boarded up—dotted the vaulted ceiling. The gallery in the front was perhaps thirty feet wide, fifty feet deep, with a counter against one wall halfway back, and a door to what had to be the studio space or storage in the rear. A quick examination told me I was half right: storage was in the back, but no natural light for painting. Only narrow windows above a row of cracked sinks, a few metal counters still stained with paint, and old cleaning supplies.
