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I do not believe that an “impulse to knowledge” is the father of philosophy; but that another impulse, here as elsewhere, has only made use of knowledge (and mistaken knowledge!) as an instrument.
For every impulse is imperious, and as such, attempts to philosophize.
philosophy is this tyrannical impulse itself, the most spiritual Will to Power, the will to “creation of the world,” the will to the causa prima.
“When I analyze the process that is expressed in the sentence, ‘I think,’ I find a whole series of daring assertions, the argumentative proof of which would be difficult, perhaps impossible: for instance, that it is I who think, that there must necessarily be something that thinks, that thinking is an activity and operation on the part of a being who is thought of as a cause, that there is an ‘ego,’ and finally, that it is already determined what is to be designated by thinking—that I know what thinking is. For if I had not already decided within myself what it is, by what standard could I
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Supposing that nothing else is “given” as real but our world of desires and passions, that we cannot sink or rise to any other “reality” but just that of our impulses—for thinking is only a relation of these impulses to one another:—are we not permitted to make the attempt and to ask the question whether this which is “given” does not suffice, by means of our counterparts, for the understanding even of the so-called mechanical (or “material”) world? I do not mean as an illusion, a “semblance,” a “representation” (in the Berkeleyan and Schopenhauerian sense), but as possessing the same degree
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every person is a prison and also a recess.
The Christian faith from the beginning, is sacrifice the sacrifice of all freedom, all pride, all self-confidence of spirit, it is at the same time subjection, self-derision, and self-mutilation.
“Catholicism” of non-faith, and it was always not the faith, but the freedom from the faith, the half-stoical and smiling indifference to the seriousness of the faith, which made the slaves indignant at their masters and revolt against them. “Enlightenment” causes revolt, for the slave desires the unconditioned, he understands nothing but the tyrannous, even in morals, he loves as he hates, without nuance, to the very depths, to the point of pain, to the point of sickness—his many hidden sufferings make him revolt against the noble taste which seems to deny suffering.
Schopenhauerian
The charm of knowledge would be small, were it not so much shame has to be overcome on the way to it.
There is no such thing as moral phenomena, but only a moral interpretation of phenomena.
It is a curious thing that God learned Greek when he wished to turn author—and that he did not learn it better.
He who fights with monsters should be careful lest he thereby become a monster. And if thou gaze long into an abyss, the abyss will also gaze into thee.
What is done out of love always takes place beyond good and evil.
Insanity in individuals is something rare—but in groups, parties, nations, and epochs it is the rule.
One may indeed lie with the mouth; but with the accompanying grimace one nevertheless tells the truth.
One loves ultimately one’s desires, not the thing desired.
There is an innocence in lying which is the sign of good faith in a cause.
The evil man inflicts injury on himself; he would not do so, however, if he knew that evil is evil. The evil man, therefore, is only evil through error; if one free him from error one will necessarily make him—good.”—This mode of reasoning savors of the populace, who perceive only the unpleasant consequences of evil-doing, and practically judge that “it is stupid to do wrong”; while they accept “good” as identical with “useful and pleasant,” without further thought. As regards every system of utilitarianism, one may at once assume that it has the same origin, and follow the scent: one will
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Our senses are also hostile and averse to the new; and generally, even in the “simplest” processes of sensation, the emotions dominate—such as fear, love, hatred, and the passive emotion of indolence.—As little as a reader nowadays reads all the single words (not to speak of syllables) of a page—he rather takes about five out of every twenty words at random, and “guesses” the probably appropriate sense to them—just as little do we see a tree correctly and completely in respect to its leaves, branches, color, and shape;
from our fundamental nature and from remote ages we have been—accustomed to lying. Or, to express it more politely and hypocritically, in short, more pleasantly—one is much more of an artist than one is aware of.—In
finally, in broad daylight, and even in the brightest moments of our waking life, we are ruled to some extent by the nature of our dreams. Supposing that someone has often flown in his dreams, and that at last, as soon as he dreams, he is conscious of the power and art of flying as his privilege and his peculiarly enviable happiness; such a person, who believes that on the slightest impulse, he can actualize all sorts of curves and angles, who knows the sensation of a certain divine levity, an “upwards” without effort or constraint, a “downwards” without descending or lowering—without
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serves
The objective man is an instrument, a costly, easily injured, easily tarnished measuring instrument and mirroring apparatus, which is to be taken care of and respected; but he is no goal, not outgoing nor upgoing, no complementary man in whom the rest of existence justifies itself, no termination—and still less a commencement, an engendering, or primary cause, nothing hardy, powerful, self-centered, that wants to be master; but rather only a soft, inflated, delicate, movable potter’s-form, that must wait for some kind of content and frame to “shape” itself thereto—for the most part a man
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The real philosophers, however, are commanders and law-givers; they say: “Thus shall it be!” They determine first the Whither and the Why of mankind, and thereby set aside the previous labor of all philosophical workers, and all subjugators of the past—they grasp at the future with a creative hand, and whatever is and was, becomes for them thereby a means, an instrument, and a hammer.
contemning
Almost everything that we call “higher culture” is based upon the spiritualizing and intensifying of cruelty—this is my thesis; the “wild beast” has not been slain at all, it lives, it flourishes, it has only been—transfigured. That which constitutes the painful delight of tragedy is cruelty; that which operates agreeably in so-called tragic sympathy, and at the basis even of everything sublime, up to the highest and most delicate thrills of metaphysics, obtains its sweetness solely from the intermingled ingredient of cruelty.
If woman had been a thinking creature, she should certainly, as cook for thousands of years, have discovered the most important physiological facts, and should likewise have got possession of the healing art!
They wish to “cultivate” her in general still more, and intend, as they say, to make the “weaker sex” strong by culture: as if history did not teach in the most emphatic manner that the “cultivating” of mankind and his weakening—that is to say, the weakening, dissipating, and languishing of his force of will—have always kept pace with one another, and that the most powerful and influential women in the world (and lastly, the mother of Napoleon) had just to thank their force of will—and not their schoolmasters—for their power and ascendancy over men. That which inspires respect in woman, and
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the noble caste was always the barbarian caste: their superiority did not consist first of all in their physical, but in their psychical power—they were more complete men
life itself is essentially appropriation, injury, conquest of the strange and weak, suppression, severity, obtrusion of peculiar forms, incorporation, and at the least, putting it mildest, exploitation;—but why should one for ever use precisely these words on which for ages a disparaging purpose has been stamped?
Let it at once be noted that in this first kind of morality the antithesis “good” and “bad” means practically the same as “noble” and “despicable,”—the antithesis “good” and “evil” is of a different origin. The cowardly, the timid, the insignificant, and those thinking merely of narrow utility are despised; moreover, also, the distrustful, with their constrained glances, the self-abasing, the dog-like kind of men who let themselves be abused, the mendicant flatterers, and above all the liars:—it
everywhere the designations of moral value were at first applied to men; and were only derivatively and at a later period applied to actions; it is a gross mistake, therefore, when historians of morals start with questions like, “Why have sympathetic actions been praised?” The noble type of man regards himself as a determiner of values; he does not require to be approved of; he passes the judgment: “What is injurious to me is injurious in itself;” he knows that it is he himself only who confers honor on things; he is a creator of values.
artfulness in retaliation, raffinement of the idea in friendship, a certain necessity to have enemies (as outlets for the emotions of envy, quarrelsomeness, arrogance—in fact, in order to be a good friend): all these are typical characteristics of the noble morality, which, as has been pointed out, is not the morality of “modern ideas,” and is therefore at present difficult to realize,
hand, those qualities which serve to alleviate the existence of sufferers are brought into prominence and flooded with light; it is here that sympathy, the kind, helping hand, the warm heart, patience, diligence, humility, and friendliness attain to honor; for here these are the most useful qualities, and almost the only means of supporting the burden of existence. Slave-morality is essentially the morality of utility. Here is the seat of the origin of the famous antithesis “good” and “evil”:—power and dangerousness are assumed to reside in the evil,
According to slave-morality, therefore, the “evil” man arouses fear; according to master-morality, it is precisely the “good” man who arouses fear and seeks to arouse it, while the bad man is regarded as the despicable being. The contrast attains its maximum when, in accordance with the logical consequences of slave-morality, a shade of depreciation—it may be slight and well-intentioned—at last attaches itself to the “good” man of this morality; because, according to the servile mode of thought, the good man must in any case be the safe man: he is good-natured, easily deceived, perhaps a
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the desire for freedom, the instinct for happiness and the refinements of the feeling of liberty belong as necessarily to slave-morals and morality, as artifice and enthusiasm in reverence and devotion are the regular symptoms of an aristocratic mode of thinking and estimating.—Hence
(it is the peculiar right of masters to create values).
every aristocratic morality is intolerant in the education of youth, in the control of women, in the marriage customs, in the relations of old and young, in the penal laws (which have an eye only for the degenerating): it counts intolerance itself among the virtues, under the name of “justice.”
nothing will endure until the day after tomorrow, except one species of man, the incurably mediocre.
the history of language is the history of a process of abbreviation; on the basis of this quick comprehension people always unite closer and closer. The greater the danger, the greater is the need of agreeing quickly and readily about what is necessary; not to misunderstand one another in danger—that
Signs of nobility: never to think of lowering our duties to the rank of duties for everybody; to be unwilling to renounce or to share our responsibilities; to count our prerogatives, and the exercise of them, among our duties.
Alas! what are you, after all, my written and painted thoughts! Not long ago you were so variegated, young and malicious, so full of thorns and secret spices, that you made me sneeze and laugh—and now? You have already doffed your novelty, and some of you, I fear, are ready to become truths, so immortal do they look, so pathetically honest, so tedious! And was it ever otherwise? What then do we write and paint, we mandarins with Chinese brush, we immortalizers of things which lend themselves to writing, what are we alone capable of painting? Alas, only that which is just about to fade and
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