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She told of washing his blood from her ankles, burying him without a single tear. As she relived that moment she wept at last, not for the loss of him but of innocence.
Why is one compelled to write? To set oneself apart, cocooned, rapt in solitude, despite the wants of others. Virginia Woolf had her room. Proust his shuttered windows. Marguerite Duras her muted house. Dylan Thomas his modest shed. All seeking an emptiness to imbue with words. The words that will penetrate virgin territory, crack unclaimed combinations, articulate the infinite. The words that formed Lolita, The Lover, Our Lady of the Flowers. There are stacks of notebooks that speak of years of aborted efforts, deflated euphoria, a relentless pacing of the boards.
We must write, engaging in a myriad of struggles, as if breaking in a willful foal. We must write, but not without consistent effort and a measure of sacrifice: to channel the future, to revisit childhood, and to rein in the follies and horrors of the imagination for a pulsating race of readers.
His room was his sanctuary.
What is the task? To compose a work that communicates on several levels, as in a parable, devoid of the stain of cleverness.
What is the dream? To write something fine, that would be better than I am, and that would justify my trials and indiscretions. To offer proof, through a scramble of words, that God exists.
Why do I write? My finger, as a stylus, traces the question in the blank air. A familiar riddle posed since youth, withdrawing from play, comrades and the valley of love, girded with words, a beat outside. Why do ...
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