Chris

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Thomas Nast, whose early postwar political cartoons had trumpeted the black civil and political rights, had turned in a different direction by 1876. Perhaps his most famous cartoon—short of Santa Claus—established equivalence between the Irish immigrant North and the black South. Both were the “ignorant voters”; both were a burden on democracy.
The Republic for Which It Stands: The United States during Reconstruction and the Gilded Age, 1865-1896 (Oxford History of the United States)
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