How to Build a Car: The Autobiography of the World’s Greatest Formula 1 Designer

by Adrian Newey

There’s no on-board starter on the car. If you spin and don’t manage to keep the engine running, you have two problems: first, the engine’s stopped, so you’ll need mechanics armed with a pit starter motor to get back in business; second, it’s stuck in whatever gear you were in at the time, and because the gear shift is hydraulically powered, it’s not until the engine is running that you can then go back down through the gears. But, of course, the mechanics can’t start the car in gear, because it would race off away from them. They need to come to the car with a little ratchet spanner and manually rock the car backwards and forwards while working the spanner on the end of the gear-shift barrel until it gets back down to neutral. Only then can they put the starter in and restart the car and off you go again.

The challenge is doing it faster than everybody else without losing control. That is an entirely different level.

On one particular occasion, me and my friend James had been playing in the woods, found some aerosol cans and lobbed them on the school incinerator. Expecting them to blow up straightaway, we took cover behind some trees, only to be frustrated by a distinct lack of pyrotechnics. Eventually we got tired of waiting and wandered off.

When the medical profession announced that salt was good for you, he would drink brine in order to maintain his salt levels on a hot summer day. When the medical profession had a change of heart and decided that salt was bad for you after all, he cut it out altogether, wouldn’t even have it in the water for boiling peas.

One thing I learnt from almost flunking those exams was that distraction is the enemy of performance:

when the going gets tough you need to get your head down and find a way through it.

Thus, the aim of the chassis designer is to: One: ensure that the tyres are presented to the ground in an even and consistent manner through the braking, cornering and acceleration phases. Two: ensure the car is as light as possible. Three: ensure that the car generates as little drag as possible. Four: ensure that the car is generating as much downforce as possible in a balanced manner throughout the phases of the corner.

I began at Fittipaldi with the title of ‘junior aerodynamicist’, but because they didn’t have any other aerodynamicists, I was senior aerodynamicist as well.

Sardou’s shape for the Can-Am was big and bulbous and apparently designed to ram air into the diffuser. He claimed that the air would flow so fast under the diffuser that it would go sonic and that there would therefore be a sonic boom at the end of the straights! I took one look at it and knew it wouldn’t work. You can’t ram air until you’re supersonic.

The ‘spin and win’, it’s called. It’s one of the most dramatic moments in IndyCar history and well worth seeking out on YouTube when you have a chance.