There was at table a wise man of taste, who supported the Marchioness. They spoke afterwards of tragedies; the lady asked why there were tragedies which were sometimes played and which could not be read. The man of taste explained very well how a piece could have some interest, and have almost no merit; he proved in few words that it was not enough to introduce one or two of those situations which one finds in all romances, and which always seduce the spectator, but that it was necessary to be new without being odd, often sublime and always natural, to know the human heart and to make it
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