Manda

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I can’t name it then, but I feel the words at least eroding my voice. I sense that “at least” marks an end to the story I’m supposed to tell, that I am supposed to say something gracious in response—“thank goodness”—or else nothing more at all. “At least” curbs my telling too much truth. It’s a blunt instrument wielded to club a reckless retelling into submission. The story ends here. But the truth is, I have no story—nothing I can corral into a coherent narrative.
Not That Bad: Dispatches from Rape Culture
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