What’s the hardest thing about using two narrative lines to tell a story? MDR: Pacing. You have to stop and think, Who does the reader want to be with now? Some time ago I realized the books that kept me turning pages were the ones that had two or more story lines. It’s a structure I admired as a reader. As a writer, having two story lines proved to be of great value. When I played out my imagination in one story line I could take a break from it and turn to the other with fresh enthusiasm. The tricky part is in introducing two separate sets of characters in the first one hundred pages.
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