It is interesting to note that at this dawn of India’s story, she does not appear as a puling infant, but already grown up in many ways. She is not oblivious of life’s ways, lost in dreams of a vague and unrealizable supernatural world, but has made considerable technical progress in the arts and amenities of life, creating not only things of beauty, but also the utilitarian and more typical emblems of modern civilization—good baths and drainage systems.