It was as if the entire city was, without changing location, transported from its eerie everyday identity as a former military-industrial city closed to outsiders to some shiny Europe of the imagination. In exchange, Europe would someday put Perm on its map—as a capital, no less. This frantic ambition was contagious, especially because Chirkunov and his people made it clear that their vision reached beyond the arts: the governor promised to forge a new “economy of the intellect, where we will create not with our hands but with our heads.”10 The university, too, developed a vision of itself as
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