The Marxist principle of “from each according to his ability, to each according to his need” was replaced with the more pragmatic approach of paying what the state could pay for extracting the maximum from those with high ability. Over the next few years, the list of those whose labor the state valued most highly was established, as were the mechanisms of compensation. The Bolsheviks placed a premium on the “creative intelligentsia,” as it was termed—writers, artists, and, especially, filmmakers—as well as scholars and scientists. Military officers ranked even higher. But most of all, the
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A bunch of the cultural items of this time are held up favorably the world over. Our modern film language is a blending of Eisenstein (Soviet) and Pabst (American) in a really direct way. It's not even simplifying by much to say: international commercial cinema has two dads. These two dudes.
