They move from the present to the past and back to the present without so much as an asterisk to help you adjust. Tanay says things again and again, as if he wants to reassure himself, as if repetition will fix what has happened in his memory. Once you get used to this, you realize that this is how we grieve, how we remember, in the present tense and in the past, all at once, because the imagined future must now be abandoned.
