Learning from the Unorthodox But there is no reason to remain in the distant past in our search for pertinent examples. The twentieth century is often described as a time of loss of faith, and in many ways that is true, but a surprising number of artists continued to engage actively with the Christian faith in their art. The natural tendency of Christians has been to focus on those who are explicit believers such as Norman Adams or Mark Cazalet, James Macmillan or John Tavener, but to do so exclusively would be merely to repeat the mistake against which I have been protesting. God does not
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