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He then applied this absurd principle to the other numbers. In place of seven thousand thirteen, he would say (for example) Máximo Pérez; in place of seven thousand fourteen, The Railroad; other numbers were Luis Melián Lafinur, Olimar, sulphur, the reins, the whale, the gas, the caldron, Napoleon, Agustín de Vedia. In place of five hundred, he would say nine. Each word had a particular sign, a kind of mark; the last in the series were very complicated . . . I tried to explain to him that this rhapsody of incoherent terms was precisely the opposite of a system of numbers. I told him that
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I told him that for a gentleman only lost causes should be attractive
It was one of those deserted afternoons that seem like dawns. The air of the turbid, puddled plain was damp and cold. Lönnrot began walking across the countryside. He saw dogs, he saw a car on a siding, he saw the horizon, he saw a silver-colored horse drinking the crapulous water of a puddle.
Like all writers, he measured the achievements of others by what they had accomplished, asking of them that they measure him by what he envisaged or planned.
Then there occurred what I cannot forget nor communicate. There occurred the union with the divinity, with the universe (I do not know whether these words differ in meaning). Ecstasy does not repeat its symbols; God has been seen in a blazing light, in a sword or in the circles of a rose. I saw an exceedingly high Wheel, which was not before my eyes, nor behind me, nor to the sides, but every place at one time. That Wheel was made of water, but also of fire, and it was (although the edge could be seen) infinite. Interlinked, all things that are, were and shall be formed it, and I was one of
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The evening had no destiny at all; since it was clear, I went out to take a walk and to recollect after dinner. I did not want to determine a route for my stroll; I tried to attain a maximum latitude of probabilities in order not to fatigue my expectation with the necessary foresight of any one of them.
Above the turbid and chaotic earth, a rose-colored wall seemed not to house the moonlight, but rather to effuse an intimate light of its own. There can be no better way of naming tenderness than that soft rose color.
The denial of time involves two negations: the negation of the succession of the terms of a series, negation of the synchronism of the terms in two different series. In fact, if each term is absolute, its relations are reduced to the consciousness that those relations exist. A state precedes another if it is known to be prior; a state of G is contemporary to a state of H if it is known to be contemporary. Contrary to what was declared by Schopenhauer2 in his table of fundamental truths (Welt als Wille und Vorstellung, II, 4), each fraction of time does not simultaneously fill the whole of
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