Chloe Pan

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The building’s labyrinthine architecture is, in a way, a replica of the U.S. immigration system. And, as in any labyrinth, some find their way out and some don’t. Those who don’t might remain there forever, invisible specters who go up and down elevators and wander the hallways, imprisoned in circular nightmares.
Tell Me How It Ends: An Essay in 40 Questions
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