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February 7, 2019 - February 13, 2021
No agreement can ever be reached between men of his sort and those who obey the ideal within them which urges them to strip themselves bare of such advantages so that they may seek only to realise that ideal, similar in that respect to the painters, the writers who renounce their virtuosity, the artistic peoples who modernise themselves, warrior peoples who take the initiative in a move for universal disarmament, absolute governments which turn democratic and repeal their harsh laws, though as often as not the sequel fails to reward their noble effort; for the men lose their talent, the
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“You have not, perhaps, any personal merit; so few of us have! But for a time at least you have youth, and that is always a charm.
“But he doesn’t give a damn for his old grandmother, does he, eh? Little rascal!” “What, sir! I adore her!” “Sir,” he said, stepping back a pace, and with a glacial air, “you are still young; you should profit by your youth to learn two things; first, to refrain from expressing sentiments that are too natural not to be taken for granted; and secondly not to dash into speech to reply to things that are said to you before you have penetrated their meaning. If you had taken this precaution a moment ago you would have saved yourself the appearance of speaking at cross-purposes like a deaf man,
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point which is to be remarked also in many other writers, and is capable of various interpretations, of which it is enough to note but one for the present: namely, that in the state of mind in which we ‘observe’ we are a long way below the level to which we rise when we create.
because the optics of our social perspective make every grade of society seem the best to him who occupies it, and beholds as less favoured than himself, less fortunate and therefore to be pitied, the greater men whom he names and calumniates without knowing, judges and — despises without understanding them.
It is true that if envy finds expression in scornful phrases, we must translate ‘I have no wish to know him’ by ‘I have no means of knowing him.’ That is the intellectual sense.
Self-centredness thus enabling every human being to see the universe spread out in a descending scale beneath himself who is its lord,
She had begun, one fine day, to look upon him as stupid and absurd because the friends that she had among the younger writers and actors had assured her that he was, and she duly repeated what they had said with that passion, that want of reserve which we shew whenever we receive from without and adopt as our own opinions or customs of which we previously knew nothing.
“Oh, Master; my poor Madame will be so pleased at having her likeness taken, she is going to wear the hat that her old Françoise has trimmed for her, you must allow her, Master.” I acquired the conviction that I was not cruel in laughing at Françoise’s sensibility, by reminding myself that my mother and grandmother, my models in all things, often did the same. But my grandmother, noticing that I seemed cross, said that if this plan of her sitting for her photograph offended me in any way she would give it up. I would not let her; I assured her that I saw no harm in it, and left her to adorn
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the girls whom I had noticed, with that mastery over their limbs which comes from perfect bodily condition and a sincere contempt for the rest of humanity, were advancing straight ahead, without hesitation or stiffness, performing exactly the movements that they wished to perform,
As for Robert, scarcely able to keep in his place at table, concealing beneath a courtier’s smile his warrior’s thirst for action — when I examined him I could see how closely the vigorous structure of his triangular face must have been modelled on that of his ancestors’ faces, a face devised rather for an ardent bowman than for a delicate student.
The names which denote things correspond invariably to an intellectual notion, alien to our true impressions, and compelling us to eliminate from them everything that is not in keeping with itself.
The effort made by Elstir to strip himself, when face to face with reality, of every intellectual concept, was all the more admirable in that this man who, before sitting down to paint, made himself deliberately ignorant, forgot, in his honesty of purpose, everything that he knew, since what one knows ceases to exist by itself, had in reality an exceptionally cultivated mind.
“It isn’t Mme. Swann, before she was married?” I hazarded, in one of those sudden fortuitous stumblings upon the truth, which are rare enough in all conscience, and yet give, in the long run, a certain cumulative support to the theory of presentiments, provided that one takes care to forget all the wrong guesses that would invalidate it.
All that artificially harmonious whole into which a woman has succeeded in bringing her limbs and features, the persistence of which every day, before going out, she studies in her glass, changing the angle of her hat, smoothing her hair, exercising the sprightliness in her eyes, so as to ensure its continuity, that harmony the keen eye of the great painter instantly destroys, substituting for it a rearrangement of the woman’s features such as will satisfy a certain pictorial ideal of femininity which he carries in his head.
I regretted having to use them all up on the simple pleasure of making Albertine’s acquaintance. My brain assessed this pleasure at a very low value now that it was assured me. But, inside, my will did not for a moment share this illusion, that will which is the persevering and unalterable servant of our successive personalities; hiding itself in secret places, despised, downtrodden, untiringly faithful, toiling without intermission and with no thought for the variability of the self, its master, if only that master may never lack what he requires. Whereas at the moment when we are just about
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I had talked to her without being any more conscious of where my words were falling, of what became of them, than if I were dropping pebbles into a bottomless pit. That our words are, as a general rule, filled, by the person to whom we address them, with a meaning which that person derives from her own substance, a meaning widely different from that which we had put into the same words when we uttered them, is a fact which the daily round of life is perpetually demonstrating.
Meanwhile I had been thinking of the little page torn from a scribbling block which Albertine had handed me. “I love you,” she had written. And an hour later, as I scrambled down the paths which led back, a little too vertically for my liking, to Balbec, I said to myself that it was with her that I would have my romance.
My dreams were now once more at liberty to concentrate on one or another of Albertine’s friends, and returned first of all to Andrée, whose kindnesses might perhaps have appealed to me less strongly had I not been certain that they would come to Albertine’s ears. Undoubtedly the preference that I had long been pretending to feel for Andrée had furnished me — in the habit of conversation with her, of declaring my affection — with, so to speak, the material, prepared and ready, for a love of her which had hitherto lacked only the complement of a genuine sentiment, and this my heart being once
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Even those favours which I had failed to win from Albertine I would hope suddenly to receive from one or other who had parted from me in the evening with a word or glance of ambiguous meaning, thanks to which it was to her that, for the next day or so, my desire would turn.
At the age when a Name, offering us an image of the unknowable which we have poured into its mould, while at the same moment it connotes for us also an existing place, forces us accordingly to identify one with the other to such a point that we set out to seek in a city for a soul which it cannot embody but which we have no longer the power to expel from the sound of its name, it is not only to towns and rivers that names give an individuality, as do allegorical paintings, it is not only the physical universe which they pattern with differences, people with marvels, there is the social
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I read and re-read this passage from yesterday many times. Coming back to it today, as our reading for today ends with, “...I should then know what, within it’s glowing amber envelope, her name enclosed in reality, objectively, for other people...”
like a medallion of Henri IV on a dark background, the bent profile of the Due d’Aumale,
Berma, had had then for me a sort of absolute existence. Standing aloof from the world of current experience they existed by themselves, I must go to meet them, I should penetrate what I could of them, and if I opened my eyes and soul to their
And for this reason it is the really beautiful works that, if we listen to them with sincerity, must disappoint us most keenly, because in the storehouse of our ideas there is none that corresponds to an individual impression.
I was soon to be undeceived
I realised then that the work of the playwright was for the actress no more than the material, the nature of which was comparatively unimportant, for the creation of her masterpiece of interpretation,
To return to Françoise, I never in my life experienced any humiliation without having seen beforehand on her face a store of condolences prepared and waiting; and if then in my anger at the thought of being pitied by her I tried to pretend that on the contrary I had scored a distinct success, my lies broke feebly on the wall of her respectful but obvious unbelief and the consciousness that she enjoyed of her own infallibility.
At any rate I realised the impossibility of obtaining any direct and certain knowledge of whether Françoise loved or lothed me. And thus it was she who first gave me the idea that a person does not (as I had imagined) stand motionless and clear before our eyes with his merits, his defects, his plans, his intentions with regard to ourself exposed on his surface, like a garden at which, with all its borders spread out before us, we gaze through a railing, but is a shadow which we can never succeed in penetrating, of which there can be no such thing as direct knowledge, with respect to which we
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I was shewn Saint-Loup’s room. I stood for a moment outside its closed door, for I could hear some one stirring; he moved something, let fall something else; I felt that the room was not empty, that there must be somebody there. But it was only the freshly lighted fire beginning to burn. It could not keep quiet, it kept shifting its faggots about, and very clumsily.
The withdrawal of sound, its dilution, take from it all its power to hurt us;
And in this connexion we may ask ourselves whether, in the case of love (to which indeed we may add the love of life and the love of fame, since there are, it appears, persons who are acquainted with these latter sentiments), we ought not to act like those who, when a noise disturbs them, instead of praying that it may cease, stop their ears; and, with them for our pattern, bring our attention, our defensive strength to bear on ourselves, give ourselves as an objective to capture not the ‘other person’ with whom we are in love but our capacity for suffering at that person’s hands.
The man who has grown completely deaf cannot even heat a pan of milk by his bedside, but he must keep an eye open to watch, on the tilted lid, for the white, arctic reflexion, like that of a coming snowstorm, which is the warning sign which he is wise to obey, by cutting off (as Our Lord bade the waves be still) the electric current; for already the swelling, jerkily climbing egg of boiling milk-film is reaching its climax in a series of sidelong movements, has filled and set bellying the drooping sails with which the cream has skimmed its surface, sends in a sudden storm a scud of pearly
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No one will speak to him because he’s a freemason and doesn’t go to confession.
had unconsciously wedded the democratic love of humanity to a contempt for the nobility of the Empire.
the bewilderment of my impressions,
And next morning, when I awoke, I rose and went to cast from Saint-Loup’s window, which being at a great height overlooked the whole countryside, a curious scrutiny to make the acquaintance of my new neighbour, the landscape which I had not been able to distinguish the day before, having arrived too late, at an hour when it was already sleeping beneath the outspread cloak of night.
And yet, early as it had awoken from its sleep, I could see the ground, when I opened the window and looked out, only as one sees it from the window of a country house, overlooking the lake, shrouded still in its soft white morning gown of mist which scarcely allowed me to make out anything at all.
the idea of there being anything else to do but just gaze at it, the idea of actually climbing it, being rendered impossible by this same mist. Imbibing the shape of the hill, associated with the taste of hot chocolate and with the whole web of my fancies at that particular time, this mist, without my having thought at all about it, succeeded in moistening all my subsequent thoughts about that period, just as a massive and unmelting lump of gold had remained allied to my impressions of Balbec,
one cannot properly describe human life unless one shews it soaked in the sleep in which it plunges, which, night after night, sweeps round it as a promontory is encircled by the sea —
What one has meant to do during the day, as it turns out, sleep intervening, one accomplishes only in one’s dreams, that is to say after it has been distorted by sleep into following another line than one would have chosen when awake. The same story branches off and has a different ending. When all is said, the world in which we live when we are asleep is so different that people who have difficulty in going to sleep seek first of all to escape from the waking world. After having desperately, for hours on end, with shut eyes, revolved in their minds thoughts similar to those which they would
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