Beck Strah

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The reason Lulu is so terrible is that the people making this music clearly don’t care if anyone else enjoys it. Now, here again—viewed in a vacuum—that sentiment is admirable. But we don’t live in a vacuum. We live on earth. And that means we have to accept the real-life consequences of a culture where recorded music no longer has monetary value, and that consequence is Lulu.
Chuck Klosterman X: A Highly Specific, Defiantly Incomplete History of the Early 21st Century
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