The second lesson was that everyone loves a good story, even if it flies in the face of objective analysis. We love it when the most annoying character in the movie finally gets what he deserves. We root for underdogs, cringe at a hero’s downfall, and sympathize with the unlucky victim of the Fates. All these tropes are in play in a chess game, just as they are in an election or the rise and fall of a business, and they feed the powerful cognitive fallacy of seeking a narrative where often none exists.
