Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype
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She is in the present and keeps a chair at our table, stands behind us in line, and drives ahead of us on the road. She is in the future and walks backward in time to find us now.
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This is done by descending into the deepest mood of great love and feeling, till one’s desire for relationship with the wildish Self overflows, then to speak one’s soul from that frame of mind.
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Like the dry bones, we so often start out in a desert. We feel disenfranchised, alienated, not connected to even a cactus clump. The ancients called the desert the place of divine revelation.
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The desert is not lush like a forest or a jungle. It is very intense and mysterious in its life forms. Many of us have lived desert lives: very small on the surface, and enormous under the ground. La Loba shows us the precious things that can come from that sort of psychic distribution.
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This predatory potentate1 shows up time after time in women’s dreams. It erupts in the midst of their most soulful and meaningful plans. It severs the woman from her intuitive nature.
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In order to accomplish this, a woman must go into the dark, but at the same time she must not be irreparably trapped, captured, or killed on her way there or back.
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To restrain the natural predator3 of the psyche it is necessary for women to remain in possession of all their instinctual powers.
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Some of these are insight, intuition, endurance, tenacious loving, keen sensing, far vision, acute hearing, singing over the dead, intuitive healing, and tending to their own creative fires.
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The youngest sister, the most undeveloped one, plays out the very human story of the naive woman. She will be captured temporarily by her own interior stalker. Yet, she will out in the end, wiser, stronger, and recognizing the wily predator of her own psyche on sight.
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As a result she persuades herself that Bluebeard is not dangerous, but only idiosyncratic and eccentric. Oh, how silly. Why am I so put off by that little old blue beard? Her wildish nature, however, has already sniffed out the situation and knows the blue-bearded man is lethal, but the naive psyche disallows this inner knowing. This error of judgment is almost routine in a woman so young that her alarm systems are not yet developed. She is like an orphan wolf pup who rolls and plays in the clearing, heedless of the ninety-pound bobcat approaching from the shadows.
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Without parents’ loving guidance she will certainly be prey early on.
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However, even with wise mothering and fathering, the young female may, especially beginning about age twelve, be seduced away from her own truth by peer groups, cultural forces, or psychic pressures, and so begins a rather reckless risk-taking in order to find out for herself.
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At the beginning of our lives our feminine viewpoint is very naive, meaning that emotional understanding of the covert is very faint. But this is where we all begin as females. We are naive and we talk ourselves into some very confusing situations. To be uninitiated in the ways of these matters means that we are in a time of our life when we are vulnerable to seeing only the overt.
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This early training to “be nice” causes women to override their intuitions. In that sense, they are actually purposefully taught to submit to the predator. Imagine a wolf mother teaching her young to “be nice” in the face of an angry ferret or a wily diamondback rattler.
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Say, for instance, a naive woman keeps making poor choices in a mate. Somewhere in her mind she knows this pattern is fruitless, that she should stop and follow a different value. She often even knows how to proceed. But there is something compelling, a sort of Bluebeardian mesmerization, about continuing the destructive
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pattern. In most cases, the woman feels if she just holds on to the old pattern a little longer, why surely the paradisical feeling she seeks will appear in the next heartbeat.
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They marry while they are yet naive about predators, and they choose someone who is destructive to their lives. They are determined to “cure” that person with love. They are in some way “playing house.” One could say they have spent much time saying, “His beard isn’t really so blue.” Eventually a woman thus captured will see her hopes for a decent life for herself and her children diminish more and more. It is to be hoped that she will finally open the door to the room where all the destruction of her life lies. While it may be the woman’s actual mate who denigrates and dismantles her life, ...more
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is being planned. There is a way out of all of this, but one must have a key.
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The key represents permission to know the deepest, darkest secrets of the psyche, in this case the something that mindlessly degrades and destroys a woman’s potential.
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The naive woman tacitly agrees to remain “not knowing.” Women who are gullible or those with injured instincts still, like flowers, turn in the direction of whatever sun is offered. The naive or injured woman is then too easily lured with promises of ease, of lilting enjoyment, of various pleasures, be they promises of elevated status in the eyes of her family, her peers, or promises of increased security, eternal love, high adventure, or hot sex.
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To forbid a woman to use the key to conscious self knowledge strips away her intuitive nature, her natural instinct for curiosity that leads her to discover “what lies underneath” and beyond the obvious. Without this knowing, the woman is without proper protection. If she attempts to obey Bluebeard’s command not to use the key, she chooses death for her spirit. By choosing to open the door to the ghastly secret room, she chooses life.
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These are the shadow-women of the individual woman’s psyche, the tics and nudges in the back of a woman’s mind that remind her, put her back in her right mind about what is important. Finding the little
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door is important, disobeying the predator’s order is important, and finding out what is so special about this one room is essential.
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When a woman is attempting to avoid the facts of her own devastations, her night dreams are likely to shout warnings to her, warnings and exhortations to wake up! or get help! or flee! or go for the kill!
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In this state a woman loses her energy to create, whether it be solutions to mundane matters in her life, such as school, family, friendships, or her concerns with compelling issues in the larger world, or with issues of spirit—her personal development, her art. This is not a mere procrastination, for it continues over weeks and months of time. She seems flattened out, filled with ideas perhaps, but deeply anemic and more and more unable to act upon them.
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Now that she sees this,
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When we refuse to entertain the predator, its strength is extracted and it is unable to act without us. We, in essence, drive it down into the layer of the psyche where all creation is as yet unformed, and let it bubble in that etheric soup till we can find a form, a better form for it to fill. When the predator’s psychic energy is rendered, it is formable to some other purpose. We are creators then; the raw substance reduced down becomes then the stuff of our own creation.
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It is my belief that story is meant to set the inner life back into motion again. The Bluebeard story is a medicine which is particularly important to apply where the inner life of a woman has become frightened, or wedged or cornered. Story solutions lessen fear, elicit doses of adrenaline at just the right times, and most importantly for the captured naive self, cut doors into walls which were previously blank.
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It is typical for women to be afraid to let the too-comfortable and too-safe life die.
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Sometimes a woman is afraid to be without security or without certainty, for even a short time. She has more excuses than dogs have hairs. She must just simply dive in and stand not knowing what will happen next. It is the only thing which will retrieve her intuitive nature.
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To cleanse one’s thinking, renewing one’s values, on a regular basis. To clear one’s psyche of
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trivia, sweep one’s self, clean up one’s thinking and feeling states on a regular basis. To build an enduring fire beneath the creative life, and cook up ideas on a systematic basis, means especially to cook, and with originality, a lot of unprecedented life in order to feed the relationship between oneself and the wildish nature.
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says, “to know too much can make one old too soon.” There is a certain amount we all should know at each age and each stage of our lives.
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“Some things are God’s business.”
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It is true, I will not lie to you; it is easier to throw away the light and go back to sleep.
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For with it, we clearly see all sides of ourselves and others, both the disfigured and the divine and all conditions in between.
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If you are surrounded by people who cross their eyes and look with disgust up at the ceiling when you are in the room, when you speak, when you act and react, then you are with the people who douse passions—yours and probably their own as well. These are not the people who care about you, your work, your life.
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For Wild Woman it also helps if the lover is just a little bit “psychic” too, a person who can “see into” her heart.
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having a lover and friends who look at you as a true living breathing entity, one that is human but made of very fine and moist and magical things as well ... a lover and friends who support the criatura in you ... these are the people you are looking for. They will be the friends of your soul for life.
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A lover has to be chosen from soul-craving. To choose just because something mouth-watering stands before you will never satisfy the hunger of the soul-Self. And that is what intuition is for; it is a direct messenger of the soul.
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If one overlooks a woman’s dual nature and takes a woman at face value, one is in for a big surprise, for when the woman’s wildish nature rises from her depths and begins to assert itself, she often has interests, feelings, and ideas which are quite different from those she expressed before.
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Those who are not delighted by learning, those who cannot be enticed into new ideas or experiences, cannot develop past the road post they rest at now. If there is but one force which feeds the root of pain, it is the refusal to learn beyond this moment.
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The good match is the man who keeps returning to try to understand, who does not let himself be deterred by the sideshows on the road.
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To love, one must not only be strong, but wise. Strength comes from the spirit. Wisdom comes from experience with Skeleton Woman.
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Woman who demonstrates that a shared living together through all increase and decrease, through all endings and beginnings, is what creates an unparalleled devotional love.
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We have been taught that death is always followed by more death. It is simply not so, death is always in the process of incubating new life, even when one’s existence has been cut down to the bones.
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Rather than seeing the archetypes of Death and Life as opposites, they must be held together as the left and right side of a single thought. It is true that within a single love relationship there are many endings. Yet, somehow and somewhere in the delicate layers of the being that is created when two people love one
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another, there is both a heart and breath. While one side of the heart empties, the other fills. When one b...
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This is the natural progression of the naive or famished hunter. The very young, the uninitiated, the hungry, and the wounded have values that revolve around the finding and the winning of trophies. The very young truly do not know what they are seeking yet, the hungry seek sustenance, and the wounded seek consolation for previous losses. Yet all will have treasure “happen upon” them.
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To lay inert and only dreaming of a perfect love is easy. It is an anesthetization from which we might never recover but for ruthlessly snagging something valuable, yet outside our awareness. For the naive and wounded, the miracle of the psyche’s ways is that even if you are halfhearted, irreverent, didn’t mean to, didn’t really hope to, don’t want to, feel unworthy to, aren’t ready for it, you will accidentally stumble upon treasure anyway. Then it is your soul’s work to not overlook what has been brought up, to recognize treasure as treasure no matter how unusual its form, and to consider ...more
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