Paperbacks from Hell: The Twisted History of '70s and '80s Horror Fiction

by Grady Hendrix

Ah, the 1970s: High inflation! Rising unemployment! Oil crisis! Recession! School desegregation! White flight! High crime! Son of Sam! It was the decade when everything went to hell—and explains why the haunted-house novel reached critical mass. In The Sentinel (1974), a model moves into a brownstone…from hell. In The Shining (1977), an economically strapped family takes a last-chance job in a hotel…from hell. In The House Next Door (1978), nouveau-riche suburbanites build the contemporary home…from hell. But it all started with Robert Marasco’s Burnt Offerings (1973), a chilling tale about a family who escapes the city to move into a summer rental…from hell. Marasco was a high school English teacher, so his illusions about human nature had long ago been stomped to death. He originally wrote Burnt Offerings as a screenplay, and first intended it to be a black comedy, but as Marasco said in an interview: “It just came out black.” Reviewers panned or patronized it, but the book caught on, sparking the wave of haunted-house novels later in the decade. If social and political anxiety spawns zombies, then economic anxiety births haunted houses.