Dan Seitz

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And he never, as far as anyone knew, sent a single submission to another publishing house, remaining weirdly loyal to the people who least valued his talents. In his blaze of pulp production, Nazel had a blaxploitation version of The Exorcist ready to smack the racks nine months after the movie premiered in theaters. Meet The Black Exorcist.
Paperbacks from Hell: The Twisted History of '70s and '80s Horror Fiction
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