The Moonstone: Special 'Magic' Edition

by Wilkie Collins

"Your sherry is waiting for you, sir," I said to him. I might as well have addressed myself to one of the four walls of the room; he was down in the bottomless deep of his own meditations, past all pulling up. "How do YOU explain Rachel's conduct, Betteredge?" was the only answer I received. Not being ready with the needful reply, I produced ROBINSON CRUSOE, in which I am firmly persuaded some explanation might have been found, if we had only searched long enough for it. Mr. Franklin shut up ROBINSON CRUSOE, and floundered into his German-English gibberish on the spot.

I am indebted to my dear parents (both now in heaven) for having had habits of order and regularity instilled into me at a very early age.

She kissed her mother on the forehead, and looked my way. "Good-bye, Clack," she said, carelessly. Her insolence roused no angry feeling in me; I only made a private memorandum to pray for her.

I looked with interest at the momentary softening of that obdurate heart. I felt inclined to say a few earnest words. Alas! my well-meant sympathy only gave offence. "What do you mean by pitying me?" she asked in a bitter whisper, as she passed to the door. "Don't you see how happy I am? I'm going to the flower-show, Clack; and I've got the prettiest bonnet in London." She completed the hollow mockery of that address by blowing me a kiss—and so left the room.

In the meantime, allow me to congratulate you on the masterly manner in which you have opened the full fire of your batteries on me at the moment when I least expected it. You would have done great things in my profession, ma'am, if you had happened to be a man."

The music she selected to play was of the most scandalously profane sort, associated with performances on the stage which it curdles one's blood to think of. It would have been premature to interfere with her at such a time as this.

"I am marrying in despair, Mr. Bruff—on the chance of dropping into some sort of stagnant happiness which may reconcile me to my life." Strong language! and suggestive of something below the surface, in the shape of a romance. But I had my own object in view, and I declined (as we lawyers say) to pursue the question into its side issues.

"If time, pains, and money can do it, I will lay my hand on the thief who took the Moonstone."—I had left London, with those words on my lips. I had penetrated the secret which the quicksand had kept from every other living creature. And, on the unanswerable evidence of the paint-stain, I had discovered Myself as the Thief.

I passed through the garden; entered the conservatory; and crossed the small drawing-room. As I laid my hand on the door opposite, I heard a few plaintive chords struck on the piano in the room within. She had often idled over the instrument in this way, when I was staying at her mother's house. I was obliged to wait a little, to steady myself. The past and present rose side by side, at that supreme moment—and the contrast shook me. After the lapse of a minute, I roused my manhood, and opened the door.

There I interposed. "I don't blame Rachel," I said. "I only regret that she could not prevail on herself to speak more plainly to me at the time." "You might as well regret that Rachel is not somebody else," rejoined Mr. Bruff. "And even then, I doubt if a girl of any delicacy, whose heart had been set on marrying you, could have brought herself to charge you to your face with being a thief.

"Sir," he said gravely, "there are great allowances to be made for a man who has not read ROBINSON CRUSOE since he was a child. I wish you good morning."