Beethoven’s Diabelli Variations, which he’d just discovered that spring and shared with no one but me. My father played Schnabel’s recording every evening, so that Schnabel’s piano resonated throughout the house and became the sound track of that year. I liked the sixth variation, he the nineteenth, but the twentieth was all about mind, and the twenty-third, well, the twenty-third was probably the liveliest, funniest thing Beethoven ever composed, he said.
