In Shakespeare’s version, all the Greeks and Trojans, Paris excepted, doubt that Helen is worth the lives lost in their war for her. Just as Paris dotes on Helen, so Troilus on Cressida. Yet in contrast to Chaucer’s Troilus, Shakespeare’s fails to mature in response to his love and remains in adolescent self-absorption, almost indifferent to Cressida’s plight when she is forced out of Troy and made to go to her father in the Greek camp.