Julian Framstad

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No more turret, but once again the upside-down vase design, the Borne Classic. He contracted so that my stool was pulled closer and closer to the ring of eyes, and his skin was like an electric storm at twilight, with shocks of lightning manifesting as silver cracks in his skin and a mottled darkness of deep, deep green sliding into black but also a startling glimpse of blue, as of a boat floating over clear water. The smell of him was sickly sweet then, like brandy mixed with crispy waffles lathered in butter and syrup.
Borne (Borne, #1)
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