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In times of crisis, we must all decide again and again whom we love. —FRANK O’HARA
Bobbi and I first met Melissa at a poetry night in town, where we were performing together.
Melissa took our photograph outside, with Bobbi smoking and me self-consciously holding my left wrist in my right hand, as if I was afraid the wrist was going to get away from me.
big fan of seeing the insides of other people’s houses, especially people who were slightly famous like Melissa.
Melissa asked us how we’d started out performing spoken word poetry together. We had both just finished our third year of university at the time, but we’d been performing together since we were in school. Exams were over by then. It was late May.
We went to a convent school, said Bobbi. It posed issues. Melissa grinned and said: like what? Well, I’m gay, said Bobbi. And Frances is a communist.
Bobbi and I had first met in secondary school. Back then Bobbi was very opinionated and frequently spent time in detention for a behavioral offense our school called “disrupting teaching and learning.”
After Bobbi and I started seeing each other, everything changed. No one asked for my homework any more. At lunchtime we walked along the car park holding hands and people looked away from us maliciously. It was fun, the first real fun I’d ever had.
At our school graduation ceremony we performed a spoken word piece together. Some of the parents cried, but our classmates just looked out the assembly-room windows or talked quietly among themselves.
Several months later, after more than a year together, Bobbi and I broke up.
Melissa wanted to write a profile about us.
Alone in my room, I downloaded one of the files and opened it up to full-screen. Bobbi looked back at me, mischievous, holding a cigarette in her right hand and pulling on her fur stole with the other. Beside her, I looked bored and interesting.
Bobbi called me almost immediately after the e-mail arrived. Have you seen the photographs? she said. I think I’m in love with her.
We e-mailed her back saying we’d be delighted, and she invited us over for dinner to talk about our work and get some additional photographs.
She asked me if I could forward some copies of our poetry and I sent her three or four of the best pieces.
With other people I generally had a sense of what to take seriously and what not to, but with Bobbi it was impossible. She never seemed to be either fully serious or fully joking. As a result I had learned to adopt a kind of Zen acceptance of the weird things she said.
So you guys write everything together? Melissa said. Oh God, no, said Bobbi. Frances writes everything. I don’t even help.
Except in the sense of enriching my life, Bobbi didn’t help me write the poetry. As far as I knew she had never written creatively at all. She liked to perform dramatic monologues and sing antiwar ballads. Onstage she was the superior performer and I often glanced at her anxiously to remind myself what to do.
Although I couldn’t specify why exactly, I felt certain that Melissa was less interested in our writing process now that she knew I wrote the material alone. I knew the subtlety of this change would be enough for Bobbi to deny it later, which irritated me as if it had already happened. I was starting to feel adrift from the whole setup, like the dynamic that had eventually revealed itself didn’t interest me, or even involve me. I could have tried harder to engage myself, but I probably resented having to make an effort to be noticed.
Bobbi’s parents were going through an acrimonious breakup that summer. Bobbi’s mother, Eleanor, had always been emotionally fragile and given to long periods of unspecified illness, which made her father, Jerry, the favored parent in the split. Bobbi always called them by their first names.
Bobbi’s sister, Lydia, was fourteen and didn’t seem to be handling the whole thing with Bobbi’s composure.
My parents had separated when I was twelve and my father had moved back to Ballina, where they’d met. I lived in Dublin with my mother until I finished school, and then she moved back to Ballina too. When college started I moved into an apartment in the Liberties belonging to my father’s brother.
I had an internship in a literary agency at the time. There was one other intern, called Philip, who I knew from college. Our job was to read stacks of manuscripts and write one-page reports on their literary value. The value was almost always nil.
We worked three days a week and were both paid “a stipend,” which meant we basically weren’t paid at all.
Bobbi and I often performed at spoken word events and open mic nights that summer.
I had wanted Melissa to take an interest in me, because we were both writers, but instead she didn’t seem to like me and I wasn’t even sure I liked her.
At twenty-one, I had no achievements or possessions that proved I was a serious person.
You suffer, she said. Everybody suffers. Ah, Bobbi said. Profound.
I hadn’t been kidding with Philip about not wanting a job. I didn’t want one. I had no plans as to my future financial sustainability: I never wanted to earn money for doing anything.
Our boss at the literary agency was a woman named Sunny. Both Philip and I really liked Sunny, but Sunny preferred me.
I could perform each poem for a period of about six months after I’d written it, after which point I couldn’t stand to look at it, never mind read it aloud in public.
Things matter to me more than they do to normal people, I thought. I need to relax and let things go. I should experiment with drugs.
Whenever I got a “brilliant” I took a little photograph of it on my phone and sent it to Bobbi. She would send back: congrats, your ego is staggering.
Sometimes I was good, sometimes I was just okay. But Bobbi was exact.