The Lady of the Lake (The Witcher, #5)

by Andrzej Sapkowski

The sorceresses, interrupting their furtive gossiping, quickly took their seats. Sheala de Tancarville, in a boa of silver fox, which gave a feminine accent to her severe male outfit. Assire var Anahid, in a dress of mauve silk, which extremely gracefully combined modest simplicity with chic elegance. Francesca Findabair, regal, as usual. Ida Emean aep Sivney, mysterious, as usual. Margarita Laux-Antille, distinguished and serious. Sabrina Glevissig in turquoise. Keira Metz in green and daffodil yellow. And Fringilla Vigo. Dejected. Sad. And pale with a truly deathly, morbid, utterly ghastly paleness. Triss Merigold was sitting beside Keira, opposite Fringilla. A painting depicting a horseman galloping headlong down a road between an avenue of alders hung above the head of the Nilfgaardian sorceress. The alders were holding out their monstrous arm-like boughs towards the rider, sneeringly smiling with the ghastly maws of their hollows. Triss shuddered involuntarily.