Born a Crime: Stories from a South African Childhood (One World Essentials)
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My mom raised me as if there were no limitations on where I could go or what I could do. When I look back I realize she raised me like a white kid—not white culturally, but in the sense of believing that the world was my oyster, that I should speak up for myself, that my ideas and thoughts and decisions mattered.
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So many black people had internalized the logic of apartheid and made it their own. Why teach a black child white things? Neighbors and relatives used to pester my mom. “Why do all this? Why show him the world when he’s never going to leave the ghetto?” “Because,” she would say, “even if he never leaves the ghetto, he will know that the ghetto is not the world. If that is all I accomplish, I’ve done enough.”
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I don’t regret anything I’ve ever done in life, any choice that I’ve made. But I’m consumed with regret for the things I didn’t do, the choices I didn’t make, the things I didn’t say. We spend so much time being afraid of failure, afraid of rejection. But regret is the thing we should fear most. Failure is an answer. Rejection is an answer. Regret is an eternal question you will never have the answer to. “What if…” “If only…” “I wonder what would have…” You will never, never know, and it will haunt you for the rest of your days.
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I often meet people in the West who insist that the Holocaust was the worst atrocity in human history, without question. Yes, it was horrific. But I often wonder, with African atrocities like in the Congo, how horrific were they? The thing Africans don’t have that Jewish people do have is documentation. The Nazis kept meticulous records, took pictures, made films. And that’s really what it comes down to. Holocaust victims count because Hitler counted them. Six million people killed. We can all look at that number and rightly be horrified. But when you read through the history of atrocities ...more
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The walls of apartheid were coming down just as American hip-hop was blowing up, and hip-hop made it cool to be from the hood. Before, living in a township was something to be ashamed of; it was the bottom of the bottom. Then we had movies like Boyz n the Hood and Menace II Society, and they made the hood look cool. The characters in those movies, in the songs, they owned it. Kids in the townships started doing the same, wearing their identity as a badge of honor: You were no longer from the township—you were from the hood.
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The hood made me realize that crime succeeds because crime does the one thing the government doesn’t do: crime cares. Crime is grassroots. Crime looks for the young kids who need support and a lifting hand. Crime offers internship programs and summer jobs and opportunities for advancement. Crime gets involved in the community. Crime doesn’t discriminate.
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The hood has a gravitational pull. It never leaves you behind, but it also never lets you leave. Because by making the choice to leave, you’re insulting the place that raised you and made you and never turned you away. And that place fights you back. As soon as things start going well for you in the hood, it’s time to go. Because the hood will drag you back in. It will find a way.
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In society, we do horrible things to one another because we don’t see the person it affects. We don’t see their face. We don’t see them as people. Which was the whole reason the hood was built in the first place, to keep the victims of apartheid out of sight and out of mind. Because if white people ever saw black people as human, they would see that slavery is unconscionable. We live in a world where we don’t see the ramifications of what we do to others, because we don’t live with them. It would be a whole lot harder for an investment banker to rip off people with subprime mortgages if he ...more
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He liked to be liked by the world, which made his abuse even harder to deal with. Because if you think someone is a monster and the whole world says he’s a saint, you begin to think that you’re the bad person. It must be my fault this is happening is the only conclusion you can draw, because why are you the only one receiving his wrath?
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Growing up in a home of abuse, you struggle with the notion that you can love a person you hate, or hate a person you love. It’s a strange feeling. You want to live in a world where someone is good or bad, where you either hate them or love them, but that’s not how people are.
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“He thinks he’s the policeman of the world,” she said. “And that’s the problem with the world. We have people who cannot police themselves, so they want to police everyone else around them.”