Josh

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—Major Hyde, Dan. Good meeting you . . . loomed worsted with a bluish tinge in arbitrary sway over the pastel arrangement behind the desk, cordially drawing Mister diCephalis half out of a sleeve of knife edge pressed nondescript.—We all know Dan here from the school television. Driver training, right Dan?
Josh
Like the transition from dialog to prose and back.
J R (American Literature)
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