Sylvia

25%
Flag icon
The answer is yes—which is the problem. The deeper question, the question the story is actually about, is this: What will those things mean to her? What specific plan will they topple? What internal fear will they force her to confront? What long-held desire will they give her no choice but to go after? Because your novel isn’t about the external change your What If is going to put your protagonist through; it’s about why that change matters to her. There’s only one way to answer that question, and that is by digging deeper into the treasure trove where the heart of
Story Genius: How to Use Brain Science to Go Beyond Outlining and Write a Riveting Novel (Before You Waste Three Years Writing 327 Pages That Go Nowhere)
Rate this book
Clear rating
Open Preview