Sylvia

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Here’s one more thing that writers lose sight of by ignoring it: the protagonist’s past is a big part of a novel’s force of opposition. Because as we’ll see, it tells you what, specifically, your protagonist is up against—both internally and externally.
Story Genius: How to Use Brain Science to Go Beyond Outlining and Write a Riveting Novel (Before You Waste Three Years Writing 327 Pages That Go Nowhere)
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