Liz Busby

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At this stage, if there are logic gaps they shouldn’t be hard to identify, and with the skills you’ve acquired, you know what to dig for in order to fill them in. The trick is to make sure that each scene touches the third rail, forcing your protagonist to make a difficult decision that’s part of an escalating cause-and-effect trajectory. You want to plunge us into action, and at the same time—this is the crucial part—give us enough insight into your protagonist to understand what the action means to her. In other words: We need to know what’s really at stake.
Story Genius: How to Use Brain Science to Go Beyond Outlining and Write a Riveting Novel (Before You Waste Three Years Writing 327 Pages That Go Nowhere)
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